
How well is artistic freedom safeguarded in Europe? With Matej Drlička, Kateřina Tučková and Daria Bukvić we discuss recent incidents and ask what it takes to strengthen the resilience of the arts.
Last summer, Matej Drlička, the director of Slovakia’s oldest and most renowned theatre, was fired by the country’s hard-right culture minister, Martina Šimkovičová—just one day after the dismissal of the respected director of the Slovak National Gallery. The minister cited several reasons for her unexpected move, including “political activism” and Drlička’s alleged preference for foreign opera singers over Slovak ones. Many viewed this as an unacceptable ideological replacement, driven by Orbán’s government, in an attempt to control the cultural sector. Is this just the beginning? A warning for the rest of Europe?
Matej Drlička, Czech novelist and curator Kateřina Tučková, and Daria Bukvić, artistic director of Oostpool, discuss the international struggle for artistic freedom. In many countries, right-wing parties tend to restrict artistic and expressive freedoms. What does the silencing of artists look like? And how can we resist attacks on cultural freedom and institutional independence?
About the speakers
Matej Drlička is a musician, and the former director of the Slovak National Theatre. In 2024 he received the French Knighthood of the Order of Arts and Letters award from French Culture Minister Rachida Dati in recognition of his longstanding involvement with culture and the excellent work he’s done at the helm of the Slovak National Theatre.His dismissal by Orban’s government became a symbol of growing state control over cultural institutions.
Kateřina Tučková is a Czech novelist, playwright, and curator whose work has a strong commitment to social justice. She uses her artistic practice to highlight suppressed histories, women’s rights, and political repression in Central Europe. Tučková has actively opposed nationalist narratives in Czech cultural policy and supported marginalized voices through both her writing and curatorial work. Her novel The Žítková Goddesses has become emblematic of feminist and anti-authoritarian resistance in Czech literature.
Daria Bukvić is a Bosnian-Dutch theatre director and artistic director of Theater Oostpool, known for challenging dominant narratives through bold, socially engaged productions. Her work centers on themes of migration, identity, and inclusion, often spotlighting underrepresented communities. Bukvić is a strong advocate for diversity and accessibility in the arts. Through her leadership, she continues to push for structural change in the European theatre landscape.
Speakers
June 25 – 29
Who’s afraid of art? Now that tyrants are on the roll and more and more people in the West seem to be falling for the autocratic alternative, the Forum on European Culture, created by De Balie, brings together more then 40 international artists, writers, and thinkers to celebrate the subversive power of art and literature.

The films of Serbian director Želimir Žilnik are both subversive and deeply humanist. Želimir Žilnik on how cinema can be a form of resistance.

Indifference is the fuel of autocracy. What role does literature have in creating a culture of care? During the European Literature Night we examine the political potential of literature.
