“We work far away from home. The old and young are still in the village. If the family can’t even spend New Year together, life would be pointless.” These are the words of one of the countless Chinese workers who make the heroic journey from the new industrial areas to their villages in the provinces each year. In a calm and observational style devoid of comment, Lixin Fan captures two years in the life of one of these families.
The father and mother left the poverty of the countryside 16 years ago, leaving their young daughter behind with her grandparents. Now they work long hours in one of the numerous gray factories that supply the West with cheap clothing. That said, the most toilsome endeavour is the New Year trip. The sight of the multitude gathered at the station is disconcerting, and the couple wait for a ticket for days. When a snowstorm arrives, the chaos is complete.
They still manage time and again, but will they also succeed in keeping the family together and ensuring an education for their children with the money they send home? Painful moments reveal that the patience the Chinese are known for has its limits.
IDFA X De Balie
During the Russian siege in 2022, unspeakably gruesome and bloody images of the countless dead and wounded victims of bombings and shootings in the Ukrainian port city of Mariupol were seen around the world—thanks in part to the work of Ukrainian AP journalist Mstyslav Chernov. With great difficulty in this city lacking electricity and internet
The streets have names such as Proton Lane and Nuclear Lane, and there is an annual Atomic Frontier Day Parade. Welcome to Richland, Washington, which grew from a hamlet into a town of 25,000 residents between 1943 and 1945. Its rapid growth was due to the arrival of thousands of workers for the production of
During this screening, the short film And How Miserable Is the Home of Evil will be followed by Talking with Rivers. And How Miserable Is the Home of Evil The video is authentic, and perhaps the audio too, but the combination of the two is fictional—for now, at least. We see the Iranian Ayatollah Ali